過期菲林還能使用嗎!?過期菲林使用技巧及菲林保存方法

近來因為LOMO熱潮,開始有一堆人回歸或是新接觸菲林的可愛世界,對於一個喜愛使用菲林的我,當然是個天大喜訊,因為有了這個熱潮,菲林便不會因此而暫時沒落,但現在的菲林價格跟十前年來比較,的確是漲價了不少,而且聽到廠方不斷傳來菲林停產的消息,真的有點心痛,這也跟大家早幾年都一窩蜂的換成數碼相機有關係,因而令菲林的產量不斷下降,以致產量不足面臨停產

有一些菲林的老玩家,手上可能還有一堆的過期菲林,或是新手從市面找到已停產的過期菲林,到底還能使用嗎!?答案是可以的,但不是全部,只有部份可以,下面就會分析給大家看

過期菲林ISO值在室溫會續漸衰減,如果儲存得不好還會出現比較難修正的偏色情況,另外過期菲林會出現一層像曝光不足的灰冒,一般稱為灰冒度,它的形成其實是菲林片基中的乳劑塗層開始出現過期老化問題,ISO值續漸衰減以致你拍攝出來的曝光值失常,你可以增加曝光值令灰冒度減少,但依然不能跟新鮮出廠的菲林作比較,除非你說個人喜愛拍出來的照片灰灰的,或是一些商人把過期菲林由原來價值很低,包裝成什麼日系風格來抬高原有售價,這些都另作別論,後期我會再另外一編新文章解構日系風格

一般而言,菲林過期後還能使用的,負片一般大約在1-2年左右,但是需要看儲存的空間及保存方法(這裡先不詳談,下面有詳細說明),大家可能聽說過,過期正片的使用期比較長,是真的嗎!?沒錯,但只在於負沖正(E沖C),其實E沖C是用正片加上不正常的沖洗程序,它會令菲林的曝光變厚(多),就像跟加了曝光時間一樣,一般大約加了1-2級的曝光值,所以就能解釋到正片過期幾年拿去負沖還有影像的神奇傳說

以下是小弟之前測試過期23年的正片負沖,還有影像看的,哈

http://hk.myblog.yahoo.com/eric-photo/article?mid=41

負片過期1年需+1級曝光去拍攝

正片過期(如E沖C)5年需+1級曝光去拍攝

正片過期超過半年以上,正沖(E-6)不建議使用

簡單一點說明,就是過期負片還有約1年的使用期,正片(E沖C)有約5年的使用期,如果過期太久的,因為灰冒度太強,加曝光也是失效的,需要加上比較先進的機械附助,或是去深入理解曝光技巧去補償它的過期變質,先給大家一個簡易的開始,暫時不在這詳談

菲林最佳的保存方法當然是把它放進菲林專用的無霜雪櫃內,你會反問筆者,如果家中沒有這種專業的產品我應該怎麼辦?你家應該有冷藏食物的家用雪櫃吧?雪櫃層數越高越冷,也就是說水果格的位置是最合適的,但是家用的雪櫃在製冷的過程中其他食物會出現大量水氣或是濕氣,這會影響菲林片基中的乳劑塗層,也就是說影響質數,你這樣說,我家中的雪櫃還能存放菲林嗎?給你一個貼心小提示,善用拉鍊密實袋吧,廣告不是就有跟你說保存水份新鮮,換句話說,你封好之後就是沒有水份能走進去呢,但是記著一點,就是使用前的3小時要從雪櫃內拿出來放在室溫中等它慢慢升溫,不然會有機會斷片,因為片基太硬了,哈哈

坊間有的人說菲林放在冰格內保存,這是錯誤的想法,這件不是肉類,只需要保存適當的低溫,不能急凍保存的,因為拿出來解凍的過程會產生大量水點,這會嚴重影響片基中的乳劑塗層,跟黑白菲林的沖洗過程中第一個步驟洗水同一樣的原理,而且還會出現因水份將菲林筒內菲林都緊貼了在一起

另外一提,菲林保存過程中是不能遇熱的,這會嚴重影響顏色及保存日期,除非你想要特別的效果,不然別把菲林放近會發熱的地方,例如:電腦,光管,焗爐等

紅外線菲林(IR)更是對溫度及光源非常敏感的,這一點需要特別留意!!

西九雙年展@ Fuji Astia 100F(E2C)

Fuji Astia 100F的真身

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後記:仲未掌握到佢曝光的偏色情況,大家見到上面的照片偏不同的顏色,是因為曝光值跟色溫的問題,顏色非常毒,應該要多測試才有更一進的資料

History of Holga (Mr. T.M. Lee, Holga之父)

香港雖然在相機工業方面,算不上是一個重要城鎮,主流相機也是以進口為主,但出現了一個國際級相機品牌 Holga,以下介紹一下Holga的歷史

Holga 之父Mr. T.M. Lee

The Holga camera was designed by T. M. Lee, and first appeared in 1982. At the time, 120 rollfilm in black-and-white was the most widely available film in mainland China. The Holga was intended to provide an inexpensive mass-market camera for working-class Chinese in order to record family portraits and events.After the cameras began to be distributed in the West, some photographers took to using the Holga for its surrealistic, impressionistic scenes for landscape, still life, portrait, and especially, street photography. In this respect, the Holga became the successor to the Diana and other 'toy' cameras previously used in such work. A Holga photograph by David Burnett of former vice-president Al Gore during a campaign appearance earned a top prize in a 2001 White House News Photographers' Association Eyes of History award ceremony.

http://en.wikipedia.org/wiki/Holga

In the 1960s, Hong Kong with its strategically located deep-water port and source of cheap labor, quickly became a light industrial manufacturing center. Innovation and drive ensured Hong Kong’s cheap products were to be found the world over. Everything from toys, to electrical equipment and cameras, were cheaply made and shipped quickly the world over.

One such product was of course the beloved Diana toy camera and its many clones. Each made by a different factory, all exploiting the cheap manufacturing base and effective distribution channels.

While Hong Kong island was the seat of government, entertainment and the playground for the rich, the other side of Victoria Harbour was the home to these light manufacturers. In Kowloon and the New Territories, areas like Tai Kok Tsui, Lai Chi Kok, and Hung Hom saw thousands of manufacturers develop.

With limited space, these manufacturers constructed their factories and offices in a unique Hong Kong way; vertical, stacked tightly in rows, along crowded streets hustling with trucks and pushcarts.

So, on what turned out to be the hottest day of the year, Tony Lim and Skorj met at the entrance to the Hong Kong Polytechnic University. Their objective – to journey to Hung Hom and to have an interview with the inventor & manufacturer of the modern day Diana – the Holga camera – and to find out how & why it came to being a most successful toy camera.

Tony went to ask Skorj if he wanted to walk the 20 minutes to the Holga office instead of taking a taxi. However, when he saw Skorj’s sweaty shirt, he realized that it would be a tough walk for such a long way under the mid-summer Hong Kong sun. So they took a taxi.

The streets of Hung Hom are still crowded with factories and shops as they were in the 1960s. The buildings look the same, the pavements are still cluttered with pushcarts, and workers still hurry from place to place.

Upon arrival at Universal Electronics Ltd, they were ushered quietly into a humbly furnished meeting room and offered tea and coffee. They were excited – Skorj prepared his Fujipet and Tony his Diana.

Mr. T.M. Lee appeared and offered his greetings in Cantonese. Skorj replied, ‘Neih hou mah?’, amusing both Tony and Mr. Lee with his gweilo Cantonese. After introductions, they started by asking an interesting question; why did you use the name ‘Holga’?

The answer was interesting as well – as its represents a good summary of the company’s heritage. Mr. Lee had established the company in 1969, and it was to become a well-known flash unit manufacturer. Using the initials of others involved in the establishment of the company (Wing On Cheung), he had used ‘WOC’ as names for their flash units and the Chinese characters for ‘very bright’ as their logo.

In Cantonese, the pronunciation of the ‘very bright’ characters is ‘Hol-gohn’, or Anglicized to ‘Holga’. Thus following the production of award-winning WOC flash-units, they turned their production experience to complete cameras called ‘WOCA’ and ‘Holga’…

At this point Skorj suggested the Anglicized pronunciation of ‘Holga’ is one of its success factors. As it is snappy, falls off the tongue nicely, and sounds like other famous camera brands such as Kodak, Canon, Nikon and so on…

As, in 1974 Konica had released their first compact camera with a built-in flash – the C35 EF. As a result of this, and other camera manufactures following this lead, the sales of stand-alone flash units fell.

In response to this threat, Mr. Lee and his Universal Electronics started to think about possible solutions. It diversified its product lines to professional flash units and also decided to develop new product lines, some of which might shift their domain from being just a photographic accessory manufacturer to that of a camera maker too.

As a result of these initiatives, on 4 January 1982 the Holga 120SF integrated flash camera was born. Mr. Lee suggests the 120SF was the world’s first 120-format camera with a built-in flash unit! To our knowledge, this is still the only kind of 120-format camera with built-in flash.

Though the Holga and it variants can now be considered a success in the toy camera world, this was not always so, as for the first ten years of its life, the company was not satisfied with Holga sales.

According to Mr. Lee, the target market for the Holga was Mainland China. This was primarily to avoid competing with the Japanese and Taiwanese cameras globally who were making and effectively distributing many mass-produced cameras, though at a higher price.

Mr. Lee considered a camera was still a luxury product in China during these years; therefore, he specifically lowered the production cost, made the camera as simple as possible, while attempting to maintain a minimum production quality. It had to be not only extremely cheap to manufacture, but it also had to work properly and maintain a minimum level of reliability. This original intent was not to produce a wonderful toy camera.

As an example of his production intent, Mr. Lee had wanted the Holga to be able to produce both 6×6 and 645 photographs, so he designed the Holga to have the removable mask and 12/16 frame counter slider functions. Upon testing however he was disappointed that in 6×6 mode the camera produced what he considered an unacceptable level of ‘four-corners-dark’, so accordingly he issued a manufacturing instruction to glue the previously designed 12/16 slider switch in the 16 position permanently. Thus supposedly forcing users to use the camera in 645-mode only.

He of course had not considered the ‘bad’ four-corners-dark photographs might be a desirable result for some photographers. The now famous Holga vignette is considered to be one of its most outstanding attributes of using cameras of this type. Other toy cameras are now measured by their level of vignette, and often photographs with a heavy vignette are called ‘Holga’ photographs, regardless of their source.

Unfortunately for cheap products, in the early 1980s China’s economic situation changed due to Deng’s new reform plan. As a result Chinese were looking for – and were able to afford – better quality products from its neighbors such as Japan and Taiwan.

In the early 1990s, the company started to get significant orders from overseas. The Holga was becoming well known in toy camera photography. The Lomographic Society repackaged the cameras and promoted it as a trendy camera for ‘Lomographers’ worldwide. This made it even a bigger hit in the toy camera field. More orders came, and then more still. Mr. Lee had to increase production capacity for a product that had previously seen its sales falling…

‘It was out of my imagination’, said Mr. Lee rather proudly.

He had never thought a product with falling sales could be re-born almost twenty years from its original launch. Though, was it declining or preparing for its mature period of its product life cycle? No matter how it comes, Mr. Lee said they sold 100,000 units of Holga during the fiscal year of 2003-2004.

In a parallel story, Mr. Lee had intended to discontinue the 135 Holga ‘Meow’ camera. The Meow was designed to attract the attention of your cat when you photograph it by flashing lights and making strange noises.

However, one trader bought all the remaining dead stock, shipped it to Japan, and marketed it as the Holga ‘Nya-Nya’ (‘meow’ in Japanese). As a result, the sales were very successful in Japan, and Universal Electronics now makes dedicated Japan market 135 Nya-Nya Holgas.

Many customers and distributors are clamering for more Holga functions and accessories. To accommodate them Mr. Lee has made plans on accessories for Holga, including filter sets, 6×6 film masks, color flashes, tripod sokcets, B-function and more. His distributors sell Oyako Sets, 35mm adapters, fisheye lenses, Snow Holgas, Baby 110 Holgas, Holga t-shirts, and Holga books. Tony himself being responsible for a 135 mask development.

In a reflection of the business environment that saw the establishment of the Holga, Universal Electronics now outsources the production of lenses for both WOCA and Holga cameras, and has seen a steady increase in quality as a result. ‘Too sharp’, we cry… While perhaps not to toy camera user’s tastes, this has resulted in Universal Electronics being able to maintain their cost effective manufacturing.

Mr. Lee of course no longer glues the frame counter switch in the ‘16’ position, and ships new Holgas with a 6×6 mask and a 645 mask. The tea with Mr. Lee concluded with Tony and Skorj telling him they enjoyed the four-corners-dark, and looked forward to more interesting developments from Universal Electronics.

http://scissorxarm.blogspot.com/2008/04/history-of-holga.html

一本介紹Holga的書

http://nicnichols.com/FourCornersDark/?page_id=438

History of LOMO

LOMO(ЛОМО),Leningradskoje Opitiko Mechanitscheskoje Objedinenie (Ленинградское Оптико-Механическое Объединение)的縮寫,意思為列寧格勒光學機械聯盟。它是俄羅斯聖彼得堡的一家高級光學器材生產商。它出品的相機也以LOMO為標記。

LOMO成立於1914年,當時是俄羅斯光學機械公司,在第一次世界大戰期間生產槍枝的瞄準鏡。它的產品包括軍用、科學以及消費品光學儀器。1930年,它生產了俄羅斯第一台照相機。

1982年,在前蘇聯一個專門生產軍事光學鏡片的工廠 LOMO 開始研發一種小型、可隨身攜帶的像機。

1991年一位奧地利的學生在不拉格買到了這樣一部造型古老、頗有蘇聯寫實風格主義的像機,當他帶回維也納時,沒想到竟然成為地下藝術圈、文化圈的新寵兒。

1993年在俄羅斯RTS股票市場公開上市。

由於需求量越來越高,1995~這一度關閉的工廠又從新開張了!

再度生產「老母雞」了。至今這個工廠一年約生產個二千台相機,。

LOMO通過了ISO 9001認證,它生產的夜視產品和望遠鏡有30%出口國外,其中德國是其產品的最大進口國。

它生產的消費型產品LOMO LC-A是一種小型的機械自動相機,僅占其產品線的很小部分,但是卻擁有眾多的追隨者。lomo代表了一種攝影體驗,隨性的,沒有任何束縛的,回歸攝影本源的影象記錄方式。

千萬不可小看這一台老古董!它竟然可以在全世界各大洲刮起一陣潮流, 形成數量龐大的忠實同好極社群,進而發展出一種獨特的文化! 光是去年網上會員就已超過20萬,

還自行創造單字>>>
Lomography (Lomo攝影)
Lomosapiens (Lomo人種)…等單字!

問問在玩LOMO攝影的人!
他一定會告訴你Lomography不只是一種創作性的攝影,而是一種生活態度!

主要概念是>>>

「要快!不用多想!對週遭環境張開眼,多吸收,享受溝通」

要當個樂摸玩家可不是只有lomo相機就算了! 身為老鳥玩家要告訴你要玩得巧.玩得妙.要先從觀念著手!
隨意的拍出強烈,瘋狂,精彩,獨特,原始,興奮,性感,就是Lomography的一切。
沒有甚麼比真實捕捉更直接,讓感覺最真率自然地流露,簡單就是美。
任何種類的相片,是愉快歡樂的也好,是憂傷沉郁的也好,Lomography都樂於和你分享。
你只需擔凳仔,排頭位,好好享受便可。
更重要的是時刻抓緊你的LOMO相機,拍下精彩佳作並且公諸同好。

Lomography 有著不成文的十大金條!

一、無論走到哪,隨身吊著你的樂摸機。
二、二十四小時都別讓它休息。
三、樂摸機不該搞亂你的生活,它是你生活的一部份。
四、貼近你的好攝對象,越近越好!
五、停止思考,攝就對了。
六、快!
七、別管拍攝過程。
八、別管拍到什麼。
九、從腳攝到頭。
十、管他的樂摸十大玩機金條!

高速菲林的使用技巧,改善暗位層次更豐富

什麼是高速菲林?文中所提及的高速菲林是指ISO800,1600,3200或是更高度數的菲林

高速菲林可能大家都有用過,但是原來有辦法令它拍出來的效果更好的,以下會深入淺出的跟大家分享一下

高速菲林容易受到外圍環境的影響(例如:溫度,濕度,x-ray),而且它的使用保存期亦比較短,所以備用的高速菲林不宜買得太多,還要存放在菲林用的無霜雪櫃佳果為佳

如果想高速菲林拍出來的顆粒比較幼細,可以嘗試加曝光補償去拍攝,例如:ISO800的正常拍出來,跟+0.5EV值拍比來的比較,很明顯+0.5EV的顆粒比較幼細,而且暗位層次亦比原來的較為豐富,簡易點說明就是用ISO800的菲林當成ISO500去拍攝,本身高速菲林比低速菲林的反差較為低的,這個跟菲林的特性有關暫不詳談這個,加曝光或是谷沖能令菲林的反差提高,因而令暗位層次明顯的提高

這樣說肯定就有一堆人來反問作者,我倒不如直接用ISO400,菲林的價錢不是更便宜嗎?但是大家別忘記ISO400也已經是中速菲林了,如果想拍出來的層次更好,也是需要+0.3EV去拍攝的,這個文章是教大家如何拍得更好,照正常拍攝的不在此限

另外拍攝的場地及燈光也會影響成像質數,用室外陽光跟室內黃光燈比較,有陽光的時候拍出來的層次肯定是比較分明的,這個要說到光源的波長及菲林的感光層,黃光燈的波長比較短,在菲林的感光層明顯會比較弱,所以才有需要增加曝光去令層次更為豐富

揚起塵埃 都變成一種黑白

公元手沖黑白菲林

公元牌PSS黑白全色菲林是公元傳統的名牌產品,榮獲國家銀質獎、其改進技術獲國家科技進步二等獎。國貨精品,最好用的公元135黑白菲林,反差適中,層次豐富適合新人老手們使用。

該產品采用鹵化銀全色感光乳劑塗布於三醋酸纖維素酯(灰色)片基上制成的,標定感光度為ISO100/21º(GB100/21º),強化顯影感光度可達200/24º,屬中速微粒型黑白負片。該產品支持DX編碼暗盒,使用於所用的35mm相機。廣泛應用於室內外專業攝影和業余攝影。如人像攝影、廣告攝影和其他藝術創作,以及風光、旅游攝影等。

改進型公元牌黑白全色菲林用上新型微粒乳劑技術,並堅持公元傳統雙乳劑層塗布工藝,具有顆粒細膩,畫面層次豐富,高光影調和暗部影調均有良好表現。配合使用公元牌黑白相紙,能獲得效果更理想、更滿意的照片,使用其它類似相紙,也同樣能獲得效果滿意的照片。
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公元ERA100 沖洗數據:
[顯影] D23、D76,6-10分鐘,20攝氏度。
[定影] F5,10-15分鐘,20攝氏度。
注:此數據為ERA100膠卷包裝紙盒上標出的廠方推薦數據。

經驗參考數據:
D76,8分鐘,20攝氏度;
D23,11分鐘,20攝氏度;
樂凱HB-17 1+19,10分鐘,20攝氏度;1+24,12分鐘,20攝氏度;
RODINAL 1+50,15分鐘,20攝氏度。
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公元手沖菲林@ISO400 – push + 2 stop(谷沖2級)
#1 黑房的沖盤

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#3人地有美女廚房,我有黑白廚房 XD

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公元手沖菲林@ISO100 – Normal
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#8 你2個系男洗手間搞咩呢

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[轉貼]中國最早膠卷品牌命懸一線 汕頭公元停產
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news.dayoo.com   2005年08月02日 10:39   來源: 廣州日報

“公元”——中國最早膠卷生產企業昨日宣布停產

  昔日,“公元”曾在中國感光工業史上寫下許多第一:中國第一張原始性氯素相紙;中國第一張符合使用要求的黑白相紙;中國第一家感光材料生產企業。連“公元”這個名字也有深刻含義,旨在開創我國感光工業的新紀元。在長達幾十年的時間裡,“公元”相紙產量一直居全國首位。在上個世紀,有多少老百姓一生中最美麗的形像就記錄在公元牌黑白相紙上永遠地留存下來……
  昨天,曾誕生中國第一張黑白相紙的汕頭市公元有限公司宣布停產。記者了解到,曾經為中國感光工業史寫下諸多第一的汕頭“公元”,近年來一直靠生產黑白產品苦苦維持,至今已連續三年虧損。
  由於難敵市場競爭,“公元”這個具有相當歷史的中國著名膠卷品牌很可能消失在人們的視野中。

“公元”還能抗多久?

伏案攻關的林希之(林傳真提供)

上世紀80年代的鋇生產線仍是公元的主力設備

歷史檔案

  1949年6月2日:我國感光材料工業先驅者林希之在位於汕頭市德興路86號簡陋的化學實驗室裡研制出中國第一張原始性氯素相紙。
  1952年10月:我國第一張符合使用要求的黑白相紙誕生了。林希之與伙伴們給實驗室和相紙起了個別致的名稱———公元,志在開創我國感光工業新紀元。
  1953年4月:中國第一家感光材料生產廠汕頭公元攝影化學廠成立,並以公元為產品商標。當年全廠職工只有15人,生產設備僅有一台土法上馬的13英寸木制小型塗布機,采用最古老的石灰干燥方法,產品只有單一的黑白印相紙,年創產值6.2萬元。
  1958年:公元黑白膠卷(膠片)投產。
  至上世紀80年代:公元的主要產品已發展至黑白相紙、人相膠片、膠卷、X光膠片和印刷制版膠片等五大類42個品種,相紙產量居全國首位。除國內銷售外,還出口亞、非、拉、歐等27個國家和地區,成為一個初具規模的感光材料生產和出口基地。
  1986年:由國家投入9億多元巨資,公元引進日本富士膠片公司彩色感光材料生產線,由於受到多種因素的影響,彩色線投產不到一年就陷入停產、半停產困境。
  上世紀90年代:負債達48億元人民幣。
  1994年:國務院作出決策,包括“公元”在內的我國部分感光材料生產企業與美國柯達公司進行合資合作談判。公元以1.8億美元的價格將彩色生產線轉讓給柯達。
  1999年:汕頭公元感光材料工業總公司和部分公元職工集資參股成立一個全新的股份制企業——汕頭市公元有限公司。
  2005年8月:汕頭市公元有限公司因為連年虧損宣布停產。

現狀:黑白膠卷市場一瀉千裡

  昨天,已經停產的汕頭市公元有限公司廠區籠罩在一片陰霾中。總經理謝郭漢告訴記者,“公元”已連續三年虧損,今年虧損額已超200萬元。
  正是“屋漏偏逢連夜雨”。一方面,受市場變化影響,公元黑白產品的國內市場呈直線下降趨勢;另一方面,國外市場虧損嚴重。苦尋無策,企業只能決定全面停產。

黑白市場萎縮“公元”盛名難再

  其實“公元”的停產早現端倪。去年底,因與世界最大膠卷制造商美國伊士曼柯達公司的強強聯合,樂凱得以入主柯達公司位於汕頭的基地。短短六年間,“公元”經歷兩次易主,一是美國柯達,一是國內膠卷生產商樂凱。相形之下,汕頭“公元”,這只曾經的中國感光行業“領頭羊”早已盛名難再。
  時間再往前推至1998年,在國內感光行業與美國伊士曼柯達公司進行合資合作談判的背景下,負債48億元的汕頭“公元”以1.8億元的價格將彩色生產線轉讓給柯達公司。翌年,“公元”經過脫胎換骨成功地改組為股份制企業。依靠品牌的知名度以及黑白相紙、膠卷和藍相片三大傳統產品,公元仍占據著國內黑白市場的30%,改制第一年公元年銷售額達到4000萬元。
  然而好景不長,近年數碼技術迅速興起,傳統的黑白感光市場出現了不可逆轉的萎縮。
  謝郭漢告訴記者,目前黑白產品主要用於制證工作,農村市場也占有一定份額,另外還應用於醫用X光、印制板。但留給黑白產品生存的空間將越來越小。去年以來,數碼IC卡技術更給黑白市場以致命的打擊。
  黑白市場的一瀉千裡使得國內外同行業出現同步萎縮:世界一流黑白膠卷生產商英國伊爾福近年已全部改行;國內的無錫感光廠改行生產聚酯薄膜;汕頭“公元”也無法幸免。

懸念:老“公元”生死難蔔

  凝聚著半個多世紀幾代人心血的老品牌難道就這樣退出歷史舞台?沒有人願意看到這樣的事情發生。在公元工作了近40年的總經理謝郭漢告訴記者,單單公元品牌這塊無形資產的價值就無可估量。
  昔日的“公元”,曾在中國感光工業史上寫下許多第一。直至今天,仍有相當一部分專業攝影者對公元牌黑白膠卷情有獨鐘。
  談到企業的未來時謝郭漢說:“最合理的途徑是先保住公元這塊牌子,再等待復活再生機會。”針對國內市場萎縮的形勢,“公元”近年把眼光瞄向國際市場,東南亞一些發展中國家仍然對黑白產品有市場需求,公元產品的出口量近年呈現逐步上升趨勢。另外,近期“公元”正在加緊研制第二代防水噴墨紙產品。
  時代在變,老品牌也要跟著求新求變。目前橫亙在“公元”面前有三道“坎”:一是技術腦袋跟不上現代化,目前這個企業的職工平均年齡達50歲左右,大部分技術人員已屆退休年齡,嚴重缺乏創新力量;二是缺乏必需的改造資金;三是沉重的歷史包袱。
  汕頭大學商學院教授徐宗玲表示,許多人念念不忘“公元”品牌所承載的背景和文化,但需要注意,當年深受“公元”品牌影響的忠誠顧客(尤其是終端顧客)未必就是今日市場上的主流顧客群體,換句話說,作為品牌價值內涵的顧客價值有可能已經大打折扣。前路坎坷,老“公元”生死難蔔。

出路:“老字號”須接受市場經濟洗禮

  徐教授認為,“公元”品牌之所以走到今天這一步,與競爭環境的變化以及企業的對策有密切關系。在全球化的競爭環境下,國內品牌及其所代表的民族工業面臨著比以往任何時候都更加嚴峻的考驗,需要盡快營造自己的核心競爭力。如果要保留這一品牌,一要堅守該行業自身,但要專注於若干市場細分的經營;也可以利用品牌影響力向有發展前景的新行業轉移。
  記者從汕頭有關部門獲悉,目前像“公元”這樣的部分老字號和老品牌生存發展確實存在不少問題。有一組數字可以表明:1983年實施《商標法》時,汕頭已有商標200多個,到1993年有續展的只剩下60多個,到目前更是寥寥無幾。
  老品牌為何風光不再?有關人士在接受記者采訪時說,目前一些老品牌企業面臨的最大問題是人員老化、機制陳舊、負債累累。
  “老字號”如何才能獲得繼續生存和發展的機會?業內人士認為,主動接受市場經濟的洗禮,適者生存,除此別無生路。

文/圖 記者王衝寒 通訊員雨言

Kodak Double-X(Eastman 5222)手沖黑白電影菲林

Kodak Double-X(Eastman 5222)手沖黑白電影菲林盤片鐵盒

Kodak黑白電影膠卷Double-X(代號:Eastman 5222),日光ISO:250(燈光環境是需補償+1/3級)。著名電影《舒特拉的名單》(Schindler's List)就是以此種Double-X膠片拍攝,階調和反差的變化相當迷人,寬容度極佳,非常適合加沖減沖,在ISO800時的粒子依然非常漂亮。電影黑白膠卷可以自己動手沖洗,無電影彩負rem-jet膜的困擾。

Kodak 官方推薦使用D96來沖洗,具體數據可以參看Kodak的官方文檔(http://motion.kodak.com/US/en/motion/Products/Production/Black_And_White_Films/5222/tech5222.htm);
也可以使用常見的D76、HC110、Rodinal等來沖洗,數據可參考:

@ISO 250
D-76 原液 6分30秒
D-76 (1:1) 9分
HC-110 (B式) 5分
Rodinal (1:25) 7分

@ISO 800
D-76 原液 8分45秒-9分30秒

以上都是20C;首分鐘連續翻轉片罐30s,之後每30s翻轉6s,以此數據做起始值作測試,找到適合自己拍攝、沖洗習慣的數據。
在Massive Dev Chart(http://www.digitaltruth.com/devchart.html)也有相應各種藥水的顯影數據提供可具體參考之。

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後記:沖洗乳劑比Kodak Tmax容易,寬容度極高,層次感豐富

我和Holga之父有個約會

上星期跟Holga之父閒聊了一個多小時,時間過得很快,能跟偶像會面感覺很開心,而且還跟他拍了幾張合照,談話內容非常充實,他也很好人,very nice,他走之前還叫我有空就打電話給他約出來喝茶,哈

當天看到Holga之父,他的手是包著的,我問他發生了舍事,原來之前行山的時候跌倒,手臂脫臼,看到偶像這樣真的很心痛呢,希望他能夠早日康復,下次要小心點呢!!

大家應該也知道Holga將會推出holga 120 instax mini back,我也查詢過,應該還需要幾個月的時間去做模及測試,但是holga back還沒有面世之前,突然殺出了一個情咬金,它就是半格holga,應該在新年後約一個月就會面世

另外還得悉LOMO的大陸生產工廠在那兒,某LOMO產品會有新配件,因為是高度機密,所以要變身和尚…說不得!!

Kodak vericolor slide film (5072 dup film)

Kodak 5072!?實驗菲林!?ISO6!?沖C-41的可變正片又可以變負片?

系屋企執屋搵到條2年前的菲林,囉出黎一睇,原來系我都唔記得有佢存在的KODAK VERICOLOR Slide Film(5072)
佢系一件怪獸黎的,沖C-41的slide,最大單系佢只有ISO6,唔信丫!?自己睇Kodak的官方spec.啦
http://www.kodak.com/global/en/professional/support/techPubs/e24/e24.pdf

唔好講咁多,去片!!
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實驗菲林 part 2!? Kodak 5072!? ISO6!? @ DF2C

Nikon F100 + 28-70mm F2.8 / 50mm F1.8 / 85mm F1.4@ Kodak 5072 + ISO 6 + EV3(全部都over 1-2級,下次會用+EV2再試)
Dup film正像影入沖C-41,可能因為本身系slide dup film,寬容度好細,少少over就無層次,白位爆晒好似數碼咁
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